Tupperware: The Promise of Plastic in 1950's America

Price: $16.95
ISBN 13: 1560989203

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Product Description

From Wonder Bowls to Ice-Tup molds to Party Susans, Tupperware has become an icon of suburban living. Tracing the fortunes of Earl Tupper's polyethylene containers from early design to global distribution, Alison J. Clarke explains how Tupperware tapped into potent commercial and social forces, becoming a prevailing symbol of late twentieth-century consumer culture.

Invented by Earl Tupper in the 1940s to promote thrift and cleanliness, the pastel plasticwares were touted as essential to a postwar lifestyle that emphasized casual entertaining and celebrated America's material abundance. By the mid-1950s the Tupperware party, which gathered women in a hostess's home for lively product demonstrations and sales, was the foundation of a multimillion-dollar business that proved as innovative as the containers themselves. Clarke shows how the “party plan” direct sales system, by creating a corporate culture based on women's domestic lives, played a greater role than patented seals and streamlined design in the success of Tupperware.

Author Information

Alison J. Clarke
Alison J. Clarke is professor and chair of Design History and Theory at the University of Applied Arts Vienna and research director of the Victor J. Papanek Foundation, which promotes socially-aware design. She was formerly a Smithsonian Fellow of History.

Review Quotes

Alison Clarke tells [Tupperware’s story] with wit and erudition.
—Newsweek
This detailed and entertaining book explores how the plastic storage containers known as Tupperware rose to prominence in 1950s America. . . . Tupperware was more than just a clever use of plastic and an equally clever marketing tool, it was a symbol of its time and a perfect product for a consumerist age.
—American History
[Tupperware] explores that domestic icon of suburbia and its role in feminist history.
—Washington Post
Clarke’s cultural analysis contributes to our growing appreciation of women’s agency in the 1950s USA, as well as in the larger culture of consumption.
—Women's Review of Books

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